The films of Frankenheimer: forty years in film
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Refresh and try again. Drew Raley 's review Jul 02, THE key talent that links the innovations of live television with the emerging style of action films and psychological dramas in the sixties. Frankenheimer made one masterpiece for every four turkeys, but those masterpieces shifted the way we watch movies. An undiscovered master provides brief capsule reviews of his own films. Reading Progress. View All Photos 4. Movie Info.
Fifty-ish Arthur Hamilton John Randolph is approached by a secret company that promises to provide him with a fresh start, complete with a new face Rock Hudson and lifestyle. But as he struggles with his own sense of identity, he begins to have second thoughts. John Frankenheimer. Lewis John Carlino. Jan 8, Paramount Pictures. Rock Hudson as Antiochus "Tony" Wilson. Salome Jens as Norma Marcus.
John Randolph as Arthur Hamilton. Will Geer as Boss.
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Jeff Corey as Mr. Richard Anderson as Dr. Murray Hamilton as Charlie Evans. Karl Swenson as Dr. Khigh Dhiegh as Davalo. Francois Ruggieri as Girl in Boudoir. Frances Reid as Emily Hamilton. Wesley Addy as John. John Lawrence as Texan.
The Films Of Frankenheimer: Forty Years In Film
Elisabeth Fraser as Plump Blonde. Dody Heath as Sue Bushman. Robert Brubaker as Mayberry. Dorothy Morris as Mrs.
Barbara Werle as Secretary. Frank Campanella as Man in Station. Edgar Stehli as Tailor Shop Presser. Aaron Magidow as Meat Man. De De Young as Nurse. Francoise Ruggieri as Girl in Boudoir. Thom Conroy as Dayroom Attendant. Kirk Duncan as Mr. William Wintersole as Operating Room Doctor. Tina Scala as Young Girl. Ned Young as Mr. Sep 23, Full Review…. May 29, Full Review…. Feb 9, Full Review….
Aug 18, Full Review…. Aug 17, Rating: 3. Aug 13, Rating: 4. Aug 9, Rating: 3.
The films of Frankenheimer: forty years in film
View All Critic Reviews Mar 20, Bold, highly psychological science fiction that might have gone on to enjoy a cult reputation if hadn't stolen its thunder two years later. Seconds is nowhere near the auteurial spectacle that Kubrick's magnum opus is, but its premise gracefully avoids Twilight Zone-style moralization by communicating its sensations through aesthetics, not thematic monologuing. The ending is wordy, but it doesn't say half as much as Rock Hudson's blissful surrender at the wine ceremony, or the disorientation and betrayal he feels at a house party. This approach surely works because of the incredible cinematography, way ahead of its time; it keeps a tight focus around the human aspects of the film, locked behind Hudson's head as he goes through the motions of a painfully dull life or fisheyed on some strange faces looming over him.
As a visual representation of a character's inner workings, it's very immediate and unabashedly obvious, but perfectly in sync with the film's own unique claustrophobia. A diamond in the rough, if you can hunt it down. Drew S Super Reviewer. Sep 05, This movie's plot reminds me of so many other movies I've seen more recently, I wondered if this was were they got their ideas? I hope not, this movie was terribly boring and slow.
I did not like it. Aj V Super Reviewer. Jun 03, Riveting suspense thriller about a middle-aged man who takes the opportunity to exchange his mediocre humdrum life for something supposedly better. The best moral for this story would be "Be careful of what you ask for.
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The intro and titles involve a great deal of distorted and disorienting photography, courtesy of cinematography great James Wong Howe, enhanced by a driving, dramatic score by Jerry Goldsmith. This score tells you that there is nothing light-hearted about what's coming up.
Director John Frankenheimer did a marvelous job at moving the story along so that you never wanted to look away. I remember being surprised when the film was over because It seemed a lot shorter than its running time. The film starts with a mystery already in the making, in that the main character has already been unnerved by a sinister phone call.
And if I never remember another thing about this film, the Twilight Zone-style final frames at the end of the film will haunt me forever. I'm usually not one to pick up on director style, but this film reminded me visually of The Manchurian Candidate so much that I would know Frankenheimer's work if he did a dog food commercial.
The wildest thing about this film is how relevant it seems in this day and age. The theme of the film -- getting away from your old life, having all responsibilities and demands disappear, and to be installed into your dream career without any effort on your part -- sounds like the perfect solution for many people these days. But I think the lesson here would be over the heads of most of those same people.
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I'm surprised that this film hasn't been remade, although there is no reason for it to be. I can see a mediocre, high-octane version of this done with Arnold Schwarzenegger in the Rock Hudson role. I hope no powers-that-be see this post; we will have that very thing inflicted on us as a big-budget summer movie.
I shudder to think Cindy I Super Reviewer. Apr 15, Not as good a decision as you'd think. The power of film.. Lesley N Super Reviewer.