Philosophers on Art from Kant to the Postmodernists: A Critical Reader

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Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Ranciere, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy. Product details Format Hardback pages Dimensions x x Table of contents Preface Introduction: Art and Philosophy 1.

Critique of Judgment, by Immanuel Kant 2. The Lugubrious Game, by Georges Bataille 6.

Philosophers on Art from Kant to the Postmodernists : A Critical Reader

Las Meninas, by Michel Foucault Society, by Theodor Adorno Spurs: Nietzsche's Styles, by Jacques Derrida Hysteria, by Gilles Deleuze Answering the Question: What Is Postmodernism? Art and Philosophy, by Alain Badiou His books include Introducing Kant and Introducing Aesthetics. Rating details. Book ratings by Goodreads.

Aesthetic Appreciation: Crash Course Philosophy #30

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Be the first to write a review About this product. About this product Product Information Philosophers approach art from a wholly unique perspective, and incorporating their thought into an analysis of art expands both our notion of what art can embody and our understanding of what criticism can achieve.


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  3. Philosophers on Art from Kant to the Postmodernists: A Critical Reader by Christopher Kul-Want.
  4. Here, for the first time, Christopher Kul-Want brings together twenty-five primary philosophical texts on art written by twenty different philosophers. Stretching from the Enlightenment to postmodernism, these essays represent Continental philosophy and aesthetics, the Marxist intellectual tradition, and the practice of psychoanalysis, each one introduced by an overview and interpretation.

    Philosophers on Art from Kant to the Postmodernists

    Adorno questions capitalism through an analysis of collage; Walter Benjamin and Roland Barthes address the uncanny effects of photography; Sigmund Freud muses on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva look closely at paintings by Holbein; Freud's postmodern critic, Gilles Deleuze, considers the visceral paintings of Francis Bacon; and, taking his cue from the ideas of Kant and Aristotle, Giorgio Agamben explores the twin traditions of the Duchampian ready-made and Pop Art. Additional Product Features Dewey Edition.

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